Question

William Rothstein’s book Phrase Rhythm in Tonal Music popularized the use of Arabic numerals between the staves to label the beat of this concept. For 10 points each:
[10h] Name this concept from rhythmic analysis that often refers to the perception of groupings of beats as strong or weak beats themselves. This rhythmic “feel” operates on the scale of several measures rather than within one measure.
ANSWER: hypermeter [accept hypermeasure]
[10m] Though explicit score markings indicating hypermeter are rare, one example is the markings ritmo di tre battute and ritmo di quattro battute in the Scherzo movement of this symphony, which is marked molto vivace and features a prominent timpani solo.
ANSWER: Beethoven’s Symphony No. 9 in D minor [or Beethoven’s Ninth Symphony; or Choral Symphony; accept Beethoven Op. 125; accept Ludwig van Beethoven in place of “Beethoven”]
[10e] This composer used Arabic numerals to mark quadruple hypermeter in the first of his Mephisto Waltzes.
ANSWER: Franz Liszt [or Liszt Ferenc; or Franz Ritter von Liszt]

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Data

TeamOpponentPart 1Part 2Part 3Total
Brown AClaremont A0000
Chicago ARutgers A001010
Columbia AMcGill A001010
Columbia BYale B0101020
Cornell AUC Berkeley A0101020
Cornell BMinnesota B001010
Duke AGeorgia Tech A0101020
Harvard AVanderbilt A001010
Imperial AIowa State A001010
Indiana AWUSTL A1001020
MIT AFlorida B001010
Maryland AHouston A001010
Michigan AChicago C001010
North Carolina AJohns Hopkins A0101020
Ohio State ARutgers B001010
Penn AMinnesota A001010
Penn State AIllinois A001010
Purdue AFlorida A001010
Stanford AGeorgia Tech B0101020
Toronto ASouth Carolina A001010
Yale AWUSTL B1001020